Posts mit dem Label 2011 werden angezeigt. Alle Posts anzeigen
Posts mit dem Label 2011 werden angezeigt. Alle Posts anzeigen

Samstag, 17. Dezember 2011

Lecture talk in Bielefeld




I will speak at BGHS(Bielefeld Graduate School in History and Sociology)’s Third Annual Seminar "Control's other side(s)", taking place at Bielefeld University from 8th until the 10th of February 2012.

My paper is entitled "Street Art – questioning power and control in urban spaces".

Conference website:


We encounter forms of control in all realms of social life: internalized
 moral attitudes on the individual level; national or pre-national rules
 of law; governmental and non-governmental regulatory agencies attempting
 to contain potentially harmful developments. An observation of the
 process of how control is set up and maintained allows us to get a
 better understanding of the institutionalisation of social order. At the
 same time, the analysis of control may help to learn something about the
 so-ciocultural justifications, which enable such an order. Important
 changes in the mechanisms of control in modernity can be traced back to
 these discursive developments.

 Despite general compliance with controlling structures, there appears to
 be a frame of action for 'criti-cal reflection' towards the established
 institutions of control. Control can never be seized as a totality and
 no attempt at control is without contradictions and ambivalences. Even
 if dominant claims over control are not entirely balanced by resistance,
 oppositional and everyday practices disturb the se-quences of control
 regimes by deliberately or unintentionally introducing functional
 mistakes, inconse-quentiality, open or concealed critique. An analysis
 of control therefore forces us to study its limits: Where are measures
 of control thought to be unsuccessful? Where do attempts to obtain
 control fail because no internalisation of norms or legitimization of
 existing norms has taken place? How are new forms of control possible
 despite the danger that they themselves will be doubted or rejected?
 Where does the seemingly constant need for control come from? Which
 conflicts and tensions constitute different forms of relationships
 between controlling structures and the objects of the control? And
 finally: Where and how is control modified by its resisting powers?

 The interdisciplinary Annual Seminar of the BGHS this year focuses on
 the forces that limit, irritate, or modify control. The empirical or
 conceptual contributions should tackle the paradoxes, contradictions and
 ambivalences regarding control and discuss the social significance of
 control and its other side.
 The conference language is English.

 Key Note Speaker (oppening lecture):
 Andreas Glaeser (University of Chicago)

Donnerstag, 15. Dezember 2011

DJ Uli vor Weihnachten


Ab ca 24h gabs gute Musik. Aus der geplanten Stunde Auflegen wurden 6 Stunden, wer hätte gedacht, dass die FSI Sportler meine Musik mögen? erst um 6.15 morgens war ich fertig, obwohl immer noch getanzt wurde.
Die besten Parties kommen überraschend. Unten gibts ein paar Fotos von halb 6h morgens.

Wo? Bauernhof WG Bayreutherstr. 22, Erlangen
Wann? 15.12.2011

Facebook Event 

Offizieller Text der Veranstalter:

Das schönste Ding vor Weihnachten...die FSI Sport lädt zum Grillen und die Bauernhof WG zum Tanz, wem´s bei drei im Weckla, Bier (1,50Euro) Bar-elegance nicht gefällt - auflegen wird DJ Uli Blanché, Tilli und der Thomsen (Soulfood, Ewerk), - also wem das net gefällt...der soll gefälligst in den Zirkel :) gleich die Straße rauf...

Montag, 28. November 2011

Zweites Glockenspiel am Erlanger Theater mit DJ Uli Blanché

DJ Uli Blanché legte auch am 8.12.2011 beim zweiten Glockenspiel des Erlanger Theaters im ehemaligen Kino Glockenlichtspiele auf, nach dem ganzen Theater (ab 23.45h). Getanzt wurde bis halb 4h morgens.

Hier noch ein Presse-Link zu einem Artikel im Reflexmagazin.

Veranstaltertext:

Wo verläuft die Grenze zwischen Heimeligem und Unheimlichem? Mit Todesverachtung befragen wir Schauermärchen, Horrorfilme und Experten. Unsere Recherchen schrecken auch vor Statistik samt Tortendiagrammen nicht zurück. Ein Alptraum sitzt uns auf der Brust – doch die Nacht gehört den Mutigen! Träumt mit uns im Glocken-Foyer eine NACHTmär before Christmas!




LEITUNG … Linda Best, Florian Götz | MIT … wechselnden Nachtgestaltern aus dem Schauspielensemble und aus der Stadt. Man tanzte  bis 3h zu schauerlichen Klängen, hier ein paar Bilder.

Link zum Facebook-Event.


Sonntag, 23. Oktober 2011

81. Kunsthistorischer Studierendenkongress

Ich sprach auf dem 81. Kunsthistorischen Studierendenkongress in Siegen, der vom 24-27. November 2011 stattfand. Mein Vortrag über "Street Art und Kommerz am Beispiel von Banksy" war am Freitag, den 25. November 2011 um 11:15 Uhr.

Webseite des KSK in Siegen hier.

Über den Kongress:
Der kunsthistorische Studierendenkongress (KSK) ist die Vollversammlung aller Studierenden der Kunstgeschichte in Deutschland, Österreich und der Schweiz und das wichtigste Gremium seiner Art. Der KSK bietet Studierenden die Gelegenheit, sich durch Vorträge, Workshops und Diskussionsforen auszutauschen und zu vernetzen. Er findet jedes Semester an einem anderen deutschsprachigen Institut statt.
 
Der 81. KSK stand unter dem Motto Peripherie - und wollte sich damit alljenen Phänomenen widmen, die an den Rändern von Kunstgeschichte, Kunstmarkt und Kunstwelt angesiedelt sind. Gleichzeitig sollte die Frage aufgeworfen werden, inwieweit das Zentrum, der Mainstream, auf sein Äußeres angewiesen ist. Im Mittelpunkt stand dabei das Verhältnis von Kunst und Markt, Abendland und restlicher Welt, sowie Kunst und
angrenzenden Tätigkeitsfeldern. Auch die Grenzen des Kunstwerks - Rahmen, Inszenierung oder Betrachter - waren gemeint.
In Vorträgen, Workshops, Diskussionen und Ausstellungen wollten sich die Veranstalter diesen Problemfeldern widmen. Im Vordergrund stand der Austausch aller Studierenden und die Möglichkeit, andere Perspektiven einzunehmen.

Samstag, 22. Oktober 2011

DJ Uli Blanché in den Glockenlichtspielen

DJ Uli Blanché legte am Donnerstag den 3. November Electro Swing auf.
Wo wann was? 3.11.2011, 10:00pm - 11:30pm im Glocken-Foyer (ehemaliges Kino Glockenlichtspiele in der Hauptstr. 46 in Erlangen) Theater Erlangen.
Was? Im Rahmen des neuen Nachtfoyers, welches das Theater Erlangen in GLOCKENSPIEL umbenannt hat, wurde Nimenis NACHTmuseum gezeigt, wo collagenartig verschiedene Aspekte der Nacht beleuchtet wurden. In Nimenis NACHTmuseum stellten wir Exponate des berühmten Nachtforschers und Poeten Karl Nimeni aus, der spurlos verschwunden ist ... Es gab Live-Songs, Lesungen, Ausstellungen, Hörspiele und zum Abschluss mich als DJ zum Ausklingen des Abends. All dies im reizvollen Trash-Retro-Look eines aufgelassenen Kinos im Stil der 70er.
Das Ganze war ein voller Erfolg, teils zu voll, so dass einige Leute heimgeschickt werden mussten. Bis 3h morgens wurde munter getanzt und wer weiß wie langs gegangen wär, wenn nicht der Alkohol so früh ausgewesen wäre.Hier der Link zur Facebook-Event-Seite.
 

Donnerstag, 8. September 2011

Are you Alex?! - Edinburgh Fringe Festival Report 2011

This is not about Alex. To give you an idea of what The Fringe is - and it really is THE fringe although there’s also Fringe Adelaide etc. but if you look at size, THE fringe always wins. I start with a few stats and facts about this 64th fringe festival, and these numbers are just about 2011: 

  • 21,192 performers
  • 2,542 shows and events 
  • 258 venues 
  • 607 free shows 
  • 75m £ income a year for economy and tourism in Edinburgh 
  • 1 million visitors approximately 

 I focused on theatre as I work as a promoter for the Arena of Young Arts festival in Erlangen, Germany. So I was looking for shows focusing not just on language but also on images and physical forms of expressions or dance elements, but as the graph shows there’s a lot of other stuff going on as well, biggest are comedy shows and music gigs. Hundreds of people gain for attention, if you take them all you have dozens of flyers in a minute, Come to see this show It starts in 15 minutes” “Mention this word and you get 20% discount at the door”, Free Comedy!”. Very often the people in the show do the flyering themselves like the two white guys of Siro-A (look at the pic), who did an impressional technical introduction revue of light entertaining body projections, beats, visual effects and movement, that leave you jaw dropping but why did they not make a piece of theatre instead of all these unconnected effects in a row? The poster walls and columns grow a belly, every poster tries to be louder, funnier, more in your face than the other, visual and real noise and people everywhere. In the first weeks of the Fringe nobody knows yet what is “good”. To skip most of the crappy shows (and you have to skip a lot as you cannot see 2500 shows in one week) we went to Edinburgh in the last week of the festival to get inspired (or controlled) by dozens of journalists and their 4 or 5 star reviews, who do nothing but watching shows and write about them. Furthermore you still meet many random people who tell you: You have to see this show!, and then you go – or depending on the person, you know for sure that you definitely WON’T go.
I mostly relied on my friend Claudia who works at the Fringe and Arena for years, so she knows what we’re looking for. Like last time when I went in 2008 after a short while it was clear we would go to see shows mainly at just 3 venues, C Venues, one of the biggest venues (and Claudia works there), Zoo Venues and Bedlam Theatre. We also went to see shows at other venues but they were more like s…chool theatre. You never really know what you get anyway – this year I mainly saw and liked shows with too much focus on language, they were great, but just a view are suitable for Arena, as for instance “Shutterland”, a cruelly-funny, political, physical masterpiece making you feel uncomfortable and entertained at the same time with great actors, who managed to be both good at impersonating their characters and also in a formal and physical way. Our second favorite for Arena was “Flynch, looking.” Although recalling very common stereotypical habits of people (the nerd for instance) and having no real end this dream or nightmare like show combines speech and body in a wonderful interacting way that makes you love and hate the madly overdrawn characters at the same time. Another show I will contact to apply for the Arena festival is Fool’s Proof Theatre’s piece “It’s Uniformation Day”, a funny kitsch future version of casting shows in space with magnificent soundtrack and a performance celebrating trash and the fragile side behind the caricature characters looking for love, power and happiness. One of my Fringe 2011 favorites, but way too expensive for Arena I suppose would be Theatre Movement Bazaar. If a piece of theatre can be perfect it would be “Anton’s Uncles”, written, directed and choreographed by Tina Kronis. It’s rare to see 4 characters (and they were real characters) who all have the same strong presence when they speak or dance or drink tea or are in love with a beautiful woman that is not there – but you see her! Feel her! Great movement that moves body, soul and heart and makes you laugh and cry. Real theatre, round, perfect, fragile but in love with itself, tragically, funny, inspirering quotes you wanna write down all the time. A feast based on Anton Thechow’s Uncle Vanya. Another Russian text, this time very conventional directed was “A hero of our Time” about a man playing with his live and love facing duels all the time written by an poet (Lermontov) who died at 26 - in a duel. Well acted, not perfect, but real well put in scene by a director (Alex McSweeney) who lets the text take over the viewer and just concentrates on the characters. I’d love to read the play, it really moved me, which is rare for me with classical theatre.
Three more! Two of them were written by Simon Stephens, “Motortown” and “Bluebird”, both had a dominant male main character, a taxi driver and a traumatized soldier which try to deal with their problems. Both play occasionally let space for supporting characters like the soldiers semi autist brother or the simple, nearly stupid yet fragile and human bouncer in Bluebird. But Motortown is often too loud, too stereotypical (we know soldiers come back dramatized, and then they buy a gun, right?) and does not surprise you, “bluebird” instead does not give you too much to expect at first but gives you everything which you did not expect. Both actors manage to cry for real a some point, but the soldier just works with his speech, he is not physical enough, the Bluebird taxi driver on the other hand is real, you don’t see any theatre any more although it is not a conventional directed show and stage. I lived in London for a while and met all these people he drives in his taxi with their different accents, visual stereotypes and backgrounds, you really get a feeling for what it’s like to be an individual in a big moloch like London.
In between the shows go and see the fabulous charity shops of Edinburgh. You will find most of them in Nicholson Street, High Street and a bit more outside Raeburn Place (look at the map). For cheap and good lunch and dinner I recommend South Bridge between Chambers street and before Nicholson Street or a pub, look out, all you can eat is very often cheap but crap, if it’s not Indian food. Finally I wanna tell you about “Clockwork Orange” and a little bit about “Titus Antronicus”, both shows by the group Action To The World. Usually I don’t like it when a group uses famous names like Shakespeare and the Kubrick film to gain attention. Furthermore I have problems with old plays with difficult language as I’m not a native speaker and do not live in 16th century. If you cut down the text to one hour and still let the text live you’re not bad. If you can do this to a text you are familiar with as its plot is very close to you and your present time, you know what you’re dealing with, but with an old text, you are first and foremost fighting the text and your interpretation of it. To make it short, Clockwork was absolute fantastic, sexy, well acted, well choreographed, a round piece that avoids to copy the film, finds new ways of showing the famous scenes AND manages to transfer the present day in a highly psychological and political way. This fantastic piece of theatre tells you more about the to the London riots and its’ roots in British society as all the newspaper articles you read. Alex never becomes a caricature but Titus does, you never get lost despite of all the surrounding excellent type casted roles of stereotypes. 
The problem with the Shakespeare play was, Titus supporting characters ARE characters in fact, not figures that help to characterize the main character like in Burgess book. There is no real time for characters in Titus, you lose them, you get lost, they get lost and don’t know why they say what they say. So stay within your time or take your time to let the text live or the show will go down with it, Alex never lost it. When I got home to my hostel called Bedford Hostel which is located in an old former church, the Spanish reception girl asked me “Arrrrre you Alex?!” and I wasn’t sure any more. Hours later I had the best answers to that question: “No, you?” “Do I look like I’m called Alex?” “Are you Nancy?” “Sometimes I got the feeling – Yes! – I’m Alex!” “Who wants to know that?!” “How dare you asking me this question!” 

Mittwoch, 20. Juli 2011

Big Liborius III trailer 2011

Who the fuck IS Big Liborius? and where is he? Riley is still alive and enjoys his life after his hard job with the MUSE killers, stupid Thilo van Halen and all those Russians. But then his past catches up...

Wima and me just edited this footage from 2008 for a wedding present for Blumendraht, co-directed, co-edited, co-written, co-shot by Wima & Blumendraht & me.

Freitag, 1. Juli 2011

"Kontrolle des öffentlichen Raumes"-Konferenz

Am 30. Juni 2011 sprach ich 16.30 - 17.00 auf der Konferenz "Kontrolle des Urbanen Raums - Akteure. Strategien. Topographien." in Berlin über "Brandalism : Street Art und Werbung am Beispiel Banksy". Link zum Programm.

Organisiert vom Institut für Europäische Ethnologie, Humboldt Universität zu Berlin in der Humboldt Universität zu Berlin
Grimm-Zentrum, Geschwister - Scholl - Str. 3, Berlin.

Weitere Infos und Details hier.

Sonntag, 19. Juni 2011

Graffiti, Street Art, Schablonengraffiti: Überschneidungen und Differenzen


In June 2011 I spoke about Street Art, politics and money in Banksy's art at a conference in Leipzig/Germany. On June 17 and 18 2011 Leipziger Forschungsgruppe Soziales e.V. organizes in Leipzig a conference entitled Graffiti, Street Art, Schablonengraffiti: Überschneidungen und Differenzen. (More info)

Am 18. Juni 2011 sprach ich in Leipzig auf der Konferenz "Graffiti, Street Art, Schablonengraffiti: Überschneidungen und Differenzen". Mit meinem Vortrag
"Street Art, Politik und Kommerz am Beispiel von Banksy u.a."
schloß die Konferenz am Sonntag den 18. Juni um 16.30h. Hier ein Link zum ausführlichen Tagungsbericht (PDF). ZUdem ist meine Powerpoint-Präsentation online dort erhältlich (Link)

Ausführliches Programm und weitere Infos hier.


Montag, 6. Juni 2011

Arena Theaterfestival 2011

Mein 7. Arena Festival habe ich mal wieder als DJ begangen, auf der Eröffnungsparty am Dienstag den 31. Mai 2011, wo es trotz technischer wie organisatorischer Probleme dann doch zu einem guten Abend mit voller Tanzfläche kam.
Vorher gibts noch Streichquartet und ne andere Band, dass Motto war Maskenball.Da ich auf Musikwünsche immer eingehe, kam es zu gewaltigen Sprüngen im Programm, die in der Arena Festival-Zeitung "Spots" folgendermaßen beschrieben wurde: "Nach der Live­musik fol­gte eine etwas willkür­liche, aber erfreuliche Mis­chung an Jazz, Swing, Elek­tro, Pop, Rock und beinahe alle anderen Gen­res aus dem Klan­gre­ich, die die illus­tre Gesellschaft auf die Tanzfläche lockte. Eine gelun­gene Feier, nur schade, dass spätestens beim Heimweg wohl kaum ein Fuß trocken geblieben sein wird."

Link zum vollständigen Party-Programm.

Hier der Arena Text aus Katalog und Webseite.

Openingparty: Maskenball - Arena bittet zum Tanz 31.Mai - 22 Uhr -

Wir brechen das Raum-Zeit-Kontinuum und blicken in fremde Welten.

Die Reise beginnt im Venedig des 17. Jahrhunderts. Viel Samt, viel Gold, ein Hauch venezianischer Karneval und immer die Frage, wer verbirgt sich hinter dieser Maske? Wir tauchen ein in Pomp und Überfluss längst vergangener Zeiten und erfreuen uns an der musikalischen Untermalung durch Ulrich Blanchet.

Zudem war ich als Disskussionspartner für eine als Video mitgeschnittene Sprechrunde über zwei Theaterstücke geladen, das Ergebnis ist hier zu sehen.

Meine dritte Aufgabe bei Arena 2011 war als Kameramann bei Zoom, das früher Arena TV hieß. Hier konnte ich meine etwas eingeschlafenen Kamerakenntnisse wieder etwas auffrischen. Beteiligt war ich an zwei der moderierten Fernseh-Shows, einer Party und einem Theaterstück.
DAs Festival sehe ich als gelungen an, gute Parties, was ich sah auch gute oder zumindest interessante Stücke, die auch gesehen wurden (das Publikum nimmt weiter zu bei Arena), offenbar gibt auch der Bachelor Arena nicht den Todesstoß. Ich bin schon gespannt auf das nächste Festival.

Samstag, 5. März 2011

Danny Boyle Interview published

My Danny Boyle Interview was published in the Neue Luzerner Zeitung in Febrary 2011.

Donnerstag, 3. März 2011

On March 3rd 2011 I got 100000 hits on my Street Art photos on Flickr since October 2010. View over 2000 Street Art photos from 14 countries here.

Update 1: 150000 hits end of May 2011.
Update 2: 200000 hits 7th October 2011

Mittwoch, 23. Februar 2011

Tectum Verlag Werbebroschüre 2011

Ich gehöre zu einem von acht Auoren des Tectum Verlages, denen in der neuen gedruckten Werbebroschüre "Frühjahr 2011" ein ganzseitiges Profil gewidmet ist. Derselbe Text hier Online.

Dienstag, 15. Februar 2011

New York, CAA Conference etc.

I went to New York in February to speak at the College Art Association conference in the Hilton, just half a block from MoMA about Damien Hirst's Spot Paintings.
The moderator of the Hirst panel, the stunning Sarah Thorton (author of the best seller "7 days in the art World"), wrote a summery of the conference on artforum.com, you'll find me on one of the pics. Here the details and titles of the Hirst panel:
But I had plenty of time to see the Whitney (apart from he Hopper exhibition I saw already somewhere else - boring and stuck in the 80s), the Brooklyn Museum (greaty curated Norman Rockwell exhibition, contemporary art section was closed, shame), the MOMA (loved the Warhol Still video portraits, hated the Apstract Expresionism Exhibition) and the Met (got lost as usually, saw some Van Goghs I never saw before that made me hate him less). A lot of time I spend in the nicest no-go-areas of Brooklyn to take pics of graffiti and Street Art.

Here you can listen to the discussion after the talks.